The study showed that after Mussolini came to power, the creative intelligentsia split into two camps: pro-fascist and anti-fascist. For the anti-fascist position, many famous playwrights fell out of favor with the authorities, while others stubbornly did not notice the demands of the authorities, taking advantage of their world fame. Not one of the Italian classics responded to the call of the Duce through art to bring the values of fascism to the masses. At the same time, the pro-fascist creative intelligentsia and the middle class enthusiastically took up the pen, creating works of a propagandistic nature, but of a very low artistic level. At https://gogoanime.red you can find the best choices now.
One of the favorite places for leisure activities for the bourgeois public was the pop theater
Very popular in the 1930s used comedies of “white phones”, and the most famous playwright of this direction was Aldo De Benedetti (1892-1970). In general, during the years of the Mussolini regime’s rule, there is no reason to talk about creating a truly “fascist” or folk theater or literature with original finds and creative successes.
- The fascist regime in Italy had a serious impact on the development of cinema, both negative and positive. The negative includes the establishment of strict censorship of power in the country to a certain extent the Vatican, the country’s cultural isolation, persecution of anti-fascists and dissidents, the unpredictable reaction of the authorities to innovations and reflection in real-life cinema. The main cinema genres of the Mussolini